At a listening event inside lauren halsey’s sister dreamer installation, the producer balanced new material from his forthcoming project with the catalog he built for Kendrick Lamar and Travis Scott.
At a listening event inside lauren halsey’s sister dreamer installation, the producer balanced new material from his forthcoming project with the catalog he built for Kendrick Lamar and Travis Scott.
In a new interview, Questlove recalls the band’s early gamble of relocating to London—a period that boosted their career but severely strained personal bonds.
Andy LeMaster’s Now It’s Overhead is back with a five-song digital EP and the first vinyl pressings of its early Saddle Creek albums. One track, “eleven-seven-thirty-five,” dates back to the band’s earliest days.
On August 3, 1975, The Who opened a U.S. tour without a new album, selling out arenas on the strength of a back catalog few could match, all while the band worked through a very public rift.
Mud, downpour, and a stacked lineup turned the Chicago festival into a space where new stars and legacy acts alike proved their relevance.
Now in its 18th year, Camp Bestival has settled into a rhythm that goes beyond nostalgic parents and bouncy castles, carving out a space where music and intergenerational creativity genuinely coexist.
The Brazilian shapeshifters trade zeuhl fury and folk delicacy for the sunlit complexities of classic progressive rock on their third album.
Ottawa power metal band The Scepter turned a board room at Bruyère Health into a temporary venue for Tim Berry, a 27-year-old metalhead facing medical challenges that kept him from live shows.
The collaborative single from Fender’s 2025 album People Watching has become the longest-running No. 1 in UK history, surpassing Frankie Laine’s 1953 record.
Stormy weather scrapped the rapper’s birthday performance, yet he still turned up at the Chicago festival and surprise-released *Maverick “Almost Forever”*.
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