The Midland native’s 15-track LP arrives amid a broader pivot toward traditional country, anchored by his own songwriting and contributions from Liz Rose, Chris Stapleton, and Jim Lauderdale.
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The Midland native’s 15-track LP arrives amid a broader pivot toward traditional country, anchored by his own songwriting and contributions from Liz Rose, Chris Stapleton, and Jim Lauderdale.
Ahead of her August set at the UK festival, the Sister Sledge vocalist will answer reader questions for The Guardian.
The Glasgow show turned a familiar tension in her catalog into a cohesive live act, merging slick bandleading with genuine unruliness.
The Guatemalan cellist and the US guitarist built an album from file exchanges, finding an uncanny chemistry that sidesteps their usual lanes.
The singer steps back into view with a track written the day after the GRAMMYs, following an onstage collapse and a sold-out London show.
The Brooklyn pianist returns with a second 2025 album, steering a large ensemble through shifting, carefully structured waters.
The Scottish singer-songwriter’s “Don’t Fall Asleep” took best song musically and lyrically, adding to a Brits critics’ choice win and a Mercury nomination for debut “In Limerence.”
A new licensing agreement between Spotify and Universal Music Group lets premium subscribers create AI covers and remixes of UMG songs, with artists given the choice to opt out.
Decades after drafting it amid personal upheaval in Copenhagen, the Phoenix-based composer and painter Allan Jamisen has given musical form to “Closing In,” a single that captures the uneasy beauty of emotional collapse and self-examination.
The second single from Rodrigo’s upcoming album finds her playing a nurse in a video that deepens her connection to the band The Cure. Robert Smith has been listening.
