The Polish black/death metal band set a September 4 release date for their first album and premiered a new track built on dense, unhurried aggression.
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The Polish black/death metal band set a September 4 release date for their first album and premiered a new track built on dense, unhurried aggression.
The model and musician identified in 2020 as the cloaked figure on Black Sabbath’s first album cover returns with Alice, a psychedelic rock opera shaped by conversations with an AI chatbot.
The fall run opens Oct. 13 in Birmingham, England, and includes stops in New York, Chicago, Detroit, and Los Angeles, with Wonder performing the double album in full.
Take Leave, the latest from Sam Sodomsky’s long-running project, moves through country, power pop, and indie rock without losing its lyrical focus.
The Portland band’s second album, There Is No Evil, arrives next month, and its singles so far have traced a wide arc from noise to quiet.
The November event marks Philip Anselmo’s first hometown performance with Pantera in 30 years, with Down, Corrosion of Conformity, Black Label Society, and a slate of NOLA sludge bands on the bill.
The live set compiles all 12 songs from her July album, including a rehearsal recording of lead single “Hate That I Made You Love Me,” a week after the tour ended.
At the penultimate Live at Lagunitas show of the season, Allen Stone’s funk-leaning set in Petaluma carried a direct fundraising tie to the San Francisco SPCA.
The band will perform the 2005 album in full in Queens and Los Angeles this October, arriving after a year of archival attention around Feels.
Denon’s latest all-in-one system borrows multi-expression pads from Akai’s MPC range, raising a practical question about how much expressive control actually translates to DJ workflows.
