The Days Pass Quickly Immersed in the Shadow of Eternity brings together modular composition, medieval instrument replicas, and a 40,000-year-old swan bone flute.
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The Days Pass Quickly Immersed in the Shadow of Eternity brings together modular composition, medieval instrument replicas, and a 40,000-year-old swan bone flute.
The group’s first headline arena run will cross three continents this fall behind the new EP ‘WILD.’ Member Manon will not take part due to a health-related hiatus.
Jake Robertson trades conceptual layers for a 17-track punk barrage, with lead single “Live Like The Crowd” and a claymation video by Sean McAnulty.
The West Yorkshire band’s third album channels years of personal upheaval and a darkening political climate into their sharpest, most direct work yet.
The woman whose name inspired one of modern rock’s most recognizable acts has died. Gretna Van Fleet was 95.
Directed by Joe Ward and set inside a narrow tunnel lit with clinical precision, the official video for “Blondie” arrived on May 15 as the first statement from Bladee’s new album, now released today on Trash Island.
After the maximalist sprawl of Cold Visions, Bladee returns with a single-producer statement that leans into emotional intensity and textural restraint. Sulfur Surfer, released today on Trash Island, finds the Swedish artist and longtime collaborator Whitearmor narrowing their shared palette into something darker, heavier and unusually cohesive.
The Toronto band’s third LP arrives August 14 via K Records, Perennial, and Kiwi Club, recorded in Detroit with producer Graham Walsh and a cast of fellow travelers.
Joel Shanahan closes a six-year gap in the Auscultation discography this June, with a dense and introverted full-length that ends on a moment of unexpected lightness.
Jacob Juno’s photographs from the Fillmore show offer an unsentimental document of three metalcore bands from different points in the genre’s timeline.
