The Cyprus-based project of Aleph closes a two-year descent with three tracks that keep the wound in view. A conversation about the rooms built since 2024, the grain of the voice, and what happens when the fall finally points somewhere.
Menu
The Cyprus-based project of Aleph closes a two-year descent with three tracks that keep the wound in view. A conversation about the rooms built since 2024, the grain of the voice, and what happens when the fall finally points somewhere.
ROMBO’s first conversation with a photographer working inside music. Jasper Soloff on first listens, difficult rooms, and the frame that outlives the single.
motko is the solo project of Shorty. After years inside shared band energies, he works alone. The nine-track record that follows treats atmosphere as structure and turns the idea of home into something that has to be earned.
The NYC/Tokyo artist returns with an analog, driving single about refusing to stay in the shadows. Recorded live and mixed by Andros Rodriguez, Silhouette carries a clear sense of intention as Bam prepares his debut album Sometimes I Forget to Breathe.
On the day her debut single arrives, the songwriter who splits her time between El Paso and Burgundy turns a 3:35 AM moment of honesty into a public invitation. “I Want To See Your Fire” is out now and asks to be played loud.
The producer and DJ talks about the star that gave the track its name, the physical memory he still carries from his years as a Latin dancer, and the quiet precision he brings to music built for real rooms.
The Karlsruhe band keep their raw alternative edge while letting unexpected brass and unsparing lyrics carry both personal fracture and political analysis. We talk about idols, visibility, and the choice to keep the hooks sharp.
The Los Angeles artist moves from the noise of societal division to the quieter fractures inside a relationship, but the throughline stays the same: the courage to stop blaming and start understanding.
Kae Sera returns with The Moon (Sommernacht Remix), a late-night house reworking of her most streamed and most covered track to date. Liverpool-born and London-based, she has built her audience entirely independently, finding listeners across the UK, the US and mainland Europe through quiet, consistent accumulation rather than campaigns or playlists.
After decades in visual art and years of dream-received piano music, Karen Salicath Jamali distills the central revelation of her near-death experience into her second vocal single. ROMBO speaks with her about the long journey to this simple, direct song.
