A Syrian oud composer in London builds her debut from grief, time, and a plant that insists on living at the edge of the pavement.
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A Syrian oud composer in London builds her debut from grief, time, and a plant that insists on living at the edge of the pavement.
Glasgow’s most prolific psychedelic pop duo treat the 1960s like a household object that never got unplugged. Medication is their fifth album, their second of 2026, and a record that keeps reaching for the same glow.
On his 14-track album from Warsaw, the composer-producer builds a circular instrumental world where motifs return inverted, like light crossing a pinhole.
On RECONNECTED, New Jersey-born, DC-based artist Dorian stretches a 2024 single into a full album about distance, pride, and the slow work of coming back.
Peter Ehrling’s fifth album under the Stockholm project treats contrast as structure. Dancefloor light, industrial cold, and the names other people try to pin on you.
On the Austin artist’s second album of 2026, carnival brass, industrial panic, and a stolen presidential warning become a private museum of unfinished hauntings.
Six chapters, a mountain lake, and a High Priestess who never speaks. The Brescia composer treats landscape as plot and silence as instrumentation.
After a decade of dream-received piano, the Danish-born composer lets voice and guitar carry nine songs through water, dark space, and a quiet return.
After two decades of meditation recordings from New York, the Inner Splendor founder treats mantra as a clock of attention, moving from private invocation to communal kirtan and back into stillness.
On Trickster, MonDeGos build a debut from heavy guitars, piano, and recycled masks. The record is restless, sometimes crowded, and more interesting when it stops explaining itself.
