Masked Quebecois duo Angine de Poitrine discover an unauthorized copycat act playing their music in Moscow, exposing the vulnerability of maintaining anonymity while a brand grows.
Masked Quebecois duo Angine de Poitrine discover an unauthorized copycat act playing their music in Moscow, exposing the vulnerability of maintaining anonymity while a brand grows.
A Place To Kill have released their first EP, accompanied by a video for the track “Jet Engine.” More music is expected later this year.
Before the records and the controversies, Wallen’s path to country stardom ran through a sports injury, a reality TV elimination, and a strategic alliance with bro-country royalty.
On Track Star, Lopez recounted being advised to change “Feelin’ So Good” because it echoed Houston’s “It’s Not Right But It’s Okay.” She stuck with the song and praised Houston as an unmatched vocalist.
The November event returns to multiple venues with a bill spanning the Avalanches and Tortoise to a special “10 years of Telefone” set from Noname.
The latest from Victor Vieira-Branco’s group deepens its chemistry with the addition of pianist Sam Yulsman, resulting in music that’s both disorienting and carefully shaped.
On a Nashville rooftop, Miranda Lambert’s new label sponsored a rhinestone-studded, 21+ drag brunch — a quiet test of what space queer artists and allies can carve out in country music’s largest festival.
The Beastie Boys MC returns with a 12-track set born from home sessions and collaborations with his sons.
Text messages appear to corroborate a crew member’s claim that she left a tour with the band out of fear that tensions would “escalate.”
On “Nordanväderslyckan,” the Swedish duo shapes field recordings, analogue synthesis, and acoustic instrumentation into a sprawling, improvisational piece that lands somewhere between psychedelic techno and Scandinavian jazz.
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