The new synthpop supergroup’s debut, comprised entirely of covers, feels like a technically proficient but emotionally vacant workshop.
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The new synthpop supergroup’s debut, comprised entirely of covers, feels like a technically proficient but emotionally vacant workshop.
The Wolf Parade and Sunset Rubdown multi-instrumentalist returns with a solo single that finds a hypnotic, anxious groove.
The duo’s cover of “Six O’Clock News” trades alt-country grit for a softer, more intimate kind of melancholy.
Two decades on, the Scottish duo’s dark, labyrinthine second album remains a uniquely disquieting masterpiece of processed memory and psychedelic unease.
On her fourth album, Rosalía abandons pop’s dopamine machine for an orchestral, multilingual crusade through the sacred and the sensual.
The Drain Gang figurehead releases two new tracks, “Love Is a State” and “Eyelash,” continuing his evolution into a more crystalline pop mode.
On their 2026 album, Maynard James Keenan’s art-rock collective delivers a sonically pristine but emotionally distant set of desert meditations.
The London group’s fourth album is a meticulously paced study in pastoral unease, where gentle melodies are shadowed by subtle dissonance.
The long-teased collaborative album from Earl Sweatshirt and MIKE, produced by SURF GANG, solidifies a shared language of fragmented loops and interior monologue.
A new studio recording of the Hoagy Carmichael standard, tied to golf’s prestigious tournament, feels like a polite but forgettable ceremonial drive.
