Simon Green enlists Arooj Aftab, Joy Crookes, Nilüfer Yanya, and Ichiko Aoba among others for a record that refuses a single identity.
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Simon Green enlists Arooj Aftab, Joy Crookes, Nilüfer Yanya, and Ichiko Aoba among others for a record that refuses a single identity.
The electronic producer’s latest album traces a move from Seattle to Eugene, turning hotel-room sketches and a late-night dance floor encounter into a quietly assured set.
French electronic producer Rone spent months at sea transmitting music to whales for his new score, developed with scientists and bioacousticians. The resulting album raises harder questions than it answers.
On “Nordanväderslyckan,” the Swedish duo shapes field recordings, analogue synthesis, and acoustic instrumentation into a sprawling, improvisational piece that lands somewhere between psychedelic techno and Scandinavian jazz.
After a decade-plus absence, the Scottish duo returns with a piece that unfolds less like a rave track than a philosophical sci-fi novel’s discursive backroads.
Danish artist Jonas Munk reactivates his Manual solo project for the first time since 2012, while his duo with Jason Kolb continues its drift toward quiet, detailed electronics.
Subexotic releases an album built from the slow-burn anxieties of the Cold War era, tracing a fragile beauty through synthesizers and measured restraint.
A trap-pop single that sidesteps the flattening effect of many hybrid collaborations, letting both artists operate at full strength.
The Brainfeeder boss revives his rap alias for a new single that lands on the soundtrack to Lionsgate film The Furious, with production from Little Snake.
The four-track release on Who Is Paula channels classic electro through precise, tactile production.
