The Lithuanian producer’s second release for the California label arrives in October, refining the moonlit club sound of his debut.
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The Lithuanian producer’s second release for the California label arrives in October, refining the moonlit club sound of his debut.
The new album brings Arooj Aftab, Joy Crookes, Nilüfer Yanya, Ichiko Aoba and others into Bonobo’s carefully layered sound.
Alysha takes faith into gothic electronic territory on new single “Take It or Leave It,” co-produced with Matt Rist. The video, directed by Ché Deedigan, places a contemporary freestyle routine inside a church.
The electronic duo expands into a trio with the improv-minded guitarist, shifting toward a more live and extended sound on the new record.
After three years running an LA club night, Banoffee is back with her own production and vocals on the ‘Muscles’ EP, due September 25.
On his 14-track album from Warsaw, the composer-producer builds a circular instrumental world where motifs return inverted, like light crossing a pinhole.
Five tracks of bilingual heat, chopped voice and night-city pressure from a Chinese-born producer working between Queens, Stamford and the screen.
Laurie Osborne’s new album renders the space between his Bristol dubstep roots and Berlin dub techno as a set of hazy, slowly shifting electronics.
The new single picks a specific argument with Mr. Oizo’s 1999 hit “Flat Beat” and the wave of imitators that followed.
The Plexus release recovers eight previously unreleased tracks from Steve Young’s Warmer Squares and E-Funk periods, holding together as a document rather than a clearing-out.
