The Manchester project returns to the circular source of its sound, where soft drones and shifting harmonies replace narrative and every timbral shift holds the weight of a change in climate.
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The Manchester project returns to the circular source of its sound, where soft drones and shifting harmonies replace narrative and every timbral shift holds the weight of a change in climate.
The London producer shifts from 2024’s stark Statik to a brief, grime-inflected single featuring the elusive MC.
The Swedish producer and visual artist returns to Young with a vivid electronic track that confronts darker emotions head-on.
The electronic producer’s new mini-album for Mood Hut draws on field recordings, feminine cycles, and a Tokyo sento visit to treat listening as a physical act.
The duo treat roots as material that must be lifted and set alight. Across nine tracks they build a sound in which voices, percussion and electronics transform each other without losing their distinct character.
Simon Green enlists Arooj Aftab, Joy Crookes, Nilüfer Yanya, and Ichiko Aoba among others for a record that refuses a single identity.
The electronic producer’s latest album traces a move from Seattle to Eugene, turning hotel-room sketches and a late-night dance floor encounter into a quietly assured set.
French electronic producer Rone spent months at sea transmitting music to whales for his new score, developed with scientists and bioacousticians. The resulting album raises harder questions than it answers.
On “Nordanväderslyckan,” the Swedish duo shapes field recordings, analogue synthesis, and acoustic instrumentation into a sprawling, improvisational piece that lands somewhere between psychedelic techno and Scandinavian jazz.
After a decade-plus absence, the Scottish duo returns with a piece that unfolds less like a rave track than a philosophical sci-fi novel’s discursive backroads.
