Recorded in 2011 and shelved after Blur regrouped, the guitarist’s long-delayed solo LP arrives via Transgressive next week, rooted in teenage Colchester memories.
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Recorded in 2011 and shelved after Blur regrouped, the guitarist’s long-delayed solo LP arrives via Transgressive next week, rooted in teenage Colchester memories.
This Friday’s releases share a clear sense of purpose. They do not fill time. They shape it. From raw garage-punk manifestos and playful art-punk anthems to polyrhythmic architectures, skeletal noise compressions, drone rituals, textured ambient explorations, warm analog reflections and cinematic memory metaphors, each one earns its duration through detail, tension and intention.
After screaming into the abyss on his third album, the Chicago songwriter returns with five tracks that choose nurture over force. Walls of Love is music that understands connection as work.
The Chicago band returns with a record shaped by refreshed songwriting dynamics and a first-time outside producer.
Taja Cheek returns with a 13-track follow-up to I Killed Your Dog, out August 14 on Mexican Summer, and a lead single that moves from coiled calm to explosive release.
The track’s fragile minimalism frames a sharp meditation on how words work.
The Zombies Tour includes intimate club shows across North America alongside dates supporting The Pretty Reckless.
Three decades in, Isaac Brock releases Modest Mouse’s eighth album on his own label. The record leans into comfort, though a few outside collaborators push gently at the edges.
‘Remember the Humans’ reflects on loss, memory, and the people who shape a community, marking a shift away from the triumphant crescendos that once defined the band.
A staggered presale, Yondr pouches, and a RAINN donation shape the rollout for Bridgers’ most ambitious solo tour yet, kicking off in September.
