At 18, New York City songwriter Owen Steib opens his catalog with Jolie, a full-band single that moves like 90s college rock while the story arrives in pieces.
Menu
At 18, New York City songwriter Owen Steib opens his catalog with Jolie, a full-band single that moves like 90s college rock while the story arrives in pieces.
The Brooklyn singer-songwriter’s third album treats a single unreplied message as the center of a longer domestic weather system.
The London singer, musician and producer places a quiet, soul-leaning groove under a lyric about wanting more for someone who has stopped wanting it for themselves.
Walk You to the Altar is a close-miked acoustic ballad about time, fatherhood, and the moment a promise comes due. Meaney & the Misfits keep the arrangement small so the lyric can do the heavy work.
After years of telling other people’s stories, Jeremy Bogen ties his own terms to the sleeve and dares the room to look.
Sarah Khatami’s Play House keeps a bossa-leaning room warm for a life that never moved in, then leaves the dollhouse on the curb.
On Lovelight, Jessie Altman treats love as a light you can locate in the eyes, then spends twelve songs deciding which lamp stays on.
Ten years after Snow on Higher Ground, the Australian actor and songwriter builds a confession out of stacked voices and the smallest available word for mercy.
Written, recorded and produced alone in a Vienna home studio, the new single starts as a private hard day and then stands up like a wall that was always going to be there.
Written before the lockdown rooms, recorded inside them, then left to sit while life got loud again, the Sydney songwriter’s debut EP finally gathers five tracks that treat love as something you develop slowly, frame by frame.
