On their fourteenth album, The Black Keys turn to a set of covers and, in the process, recover something more valuable than novelty: touch, weight, and the friction that once made their music feel alive
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On their fourteenth album, The Black Keys turn to a set of covers and, in the process, recover something more valuable than novelty: touch, weight, and the friction that once made their music feel alive
A former Star Trak affiliate returns from a 14-year prison sentence to make music with one of underground rap’s most consistent producers. The result is lean, patient, and entirely unforced.
On the two-song single “Para’dies,” Che proves he can slow down without losing his edge. The Atlanta rapper’s new tracks are more melodic and direct than his earlier work, but the chaos still simmers underneath.
On her second EP, the Swedish songwriter processes loss by learning to live alongside it. The results are direct and quietly assured.
On their second album, Miss Grit turns inward and outward at once, constructing songs that feel like rooms you can inhabit.
Laurie Vincent steps out of SOFT PLAY’s noise and into something wider, lonelier, and more deliberate. His new project Big Truck debuts with a single that trades rage for distance.
Two of the underground’s most formidable drummers face off across a split album that highlights their differences more than their common ground.
Luvcat returns with a single that swaps gothic gloom for seaside dread, and it might be her sharpest turn yet.
British-Guinean singer Jamilah Barry returns with a single about circling back, not in defeat but with new eyes.
Ten years later, Beyoncé’s Lemonade remains a high-concept flex that redefined pop ambition, even as its cultural moment has cooled.
Rombo Music Discovery
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